Krista Arias:
The Earth Is My Elder
Image provided by artist
Artist:
Krista Arias
Dates:
Wednesday, February 3, 2021 (12-4pm) to Saturday, June 26, 2021 (12-4pm)
The Earth is my Elder | Krista Arias
Open Space | Opens February 3, 2021 | Closes June 26, 2021
Curated by Toby Lawrence
The Earth is my Elder is centred around the film, poetry and installation-based work of artist, poet and earth alchemist Krista Arias. Her work explores the complexities of reconnecting, as a woman and mother, to ancestral homelands, while living as an uninvited guest in Indigenous territories in the USA and Canada. As a member of the Xicana diaspora, Arias' direct connection to Indigenous land, language and culture has been broken over generations of migration arising as necessity from colonial structures. She explains: "My greatest resource in cultural recovery and transmission as a mother, of finding belonging even in the liminal space of home-not-home without traditional Eldership, has been my own body-as-earth connection and awakening."
View the takeaway for The Earth is my Elder here.
The Earth is my Elder is presented as part of In Relation: Engaging Curatorial Hospitality and is supported by the Victoria Foundation Community Grant.
Associated Programming
Virtual reading
Tuesday, May 18 | 6pm PST
Krista Arias will join audiences via zoom to read from her collection of her poetry, Xingona Girl Smoke.
Listen to Krista’s reading below!
Publication
Xingona Girl Smoke is a compilation of poetry by Krista Arias. Copies available for purchase through the Open Space online store.
Krista Arias
has focused much of her attention over the last 20 years on grassroots food, justice, security and sovereignty through permaculture and sustainability praxis, and education via the Tierra Soul Village Farm and the Folklore Foods & Farming permaculture and traditional foods educational program. During this time, she has also been involved in community arts and collaborative media publishing through the work of La Palabra Café-Press, now Tlatolli Café-Press, as well as the restoration of Indigenous birth and mothering practices through her training in traditional midwifery and The Indígena Project—a four-day residency for Indigenous girls, women and mothers. Her commitment to interdisciplinary research ceremony is rooted in the deep intersection of arts-based and Indigenous methodologies and epistemologies, social justice, poetic imagination, creative praxis, phenomenology, depth and liberation psychologies. Her current research centers on the re-indigenization and rematriation of Indigenous birth and mothering practices through community land-based performative ceremonial activism that encourages restoration of natural identity through trauma resolution.