QUEER FUTURITIES: holding area, gathering place

May 13 -July 23, 2022

holding area: Kitt Peacock, Edzi’u, Cassia Powell, Florence Yee, Arezu Salamzadeh, Margaret August, Nicole Mandryk, Romi Kim, Kendell Yan

gathering place: Estraven Lupino-Smith, Victoria Community Fridge, keiko Hart

Curated by Dani Neira

UPCOMING EVENTS:

Thursday, July 14 5:30-7:30pm — “Dreaming in Community: Radical Imagination to Radical Action” Community Organizing Workshop by the Victoria Community Fridge Register Here

Saturday, July 23 at 11:30am and 11:45am— Community calisthenics’ performance by keiko Hart Find out more Here

“Queerness is essentially about the rejection of a here and now and an insistence on potentiality or concrete possibility for another world.”

(José Esteban Muñoz, Cruising Utopia: The Then and There of Queer Futurity)

How do we want to hold and be held? What do we want our communities to feel like? Using queer polyvocality as a framework for world-building, Queer Futurities aims to create fissures in hegemonic ways of thinking about time, place, archive, and community. Queer Futurities engages the generative possibilities of collective knowledge and care through two parts: holding area and gathering place.  

holding area features the works of Kitt Peacock, Edzi’u, Cassia Powell, Florence Yee, Arezu Salamzadeh, Margaret August, Nicole Mandryk, Romi Kim and Kendell Yan. Exploring what José Esteban Muñoz calls the “forward-dawning” potentials of queerness, holding area creates a temporary but affective space which holds collective knowledge. Through a range of mediums, including audio-visual installation, textiles, beading, performance and painting, the artists’ works explore the tenderness and nuance of both ‘holding’ and ‘queerness’ through alternative forms of care, storytelling, commemoration and place/space-making.

gathering place activates Queer Futurities’ themes of collective knowledge and care through skill-sharing and community gathering outside of the gallery space with workshops and performances. Programming will include a weaving workshop by Estraven Lupino-Smith, a “Queer Calisthenics” performance by keiko Hart, and a mutual aid workshop by the Community Fridge.

Events:

Opening Reception: Friday, May 13, 6-9pm, music performance by Edzi’u at 7pm

Saturday, May 14, 2-4:30pm : Näckenswell, Performance by Kitt Peacock

Näckenswell takes the form of a ritual set around a dislocated wishing well. Visitors are invited to share in a dialogue choreographed around tales of the nixie, a water-dwelling, shape-shifting creature from Scandinavian and North English folklore. Please note that visiting groups will be asked to enter the space one at a time.

June 11, 2-4pm: Weaving Workshop by Estraven Lupino-Smith; Register Here

July 14 5:30-7:30pm: Mutual Aid Workshop by the Victoria Community Fridge Register Here

July 23 : ‘Community calisthenics’ performance by keiko Hart

holding area artists

  • Edzi'u

    Step into the lush sounds of Edzi’u, 2S Tahltan and inland Tlingit sound, performance and media artist. Edzi'us debut album, Kime Ani, was nominated for best electronic music album at the Indigenous Music Awards 2019. Their art practice weaves electronic soundscapes with collected audio clips, while drawing on classical songwriting elements.

  • Cassia Powell

    Cassia Powell is an emerging contemporary artist based in the unceded lands of Lekwungen-speaking peoples, otherwise known as Victoria, BC. Powell is a BFA Visual Arts honours graduate from the University of Victoria. Their work emphasizes the critique of institutional and academic dynamics, and champions the importance of vulnerability and space-making within contemporary art spheres. They utilize these themes by using interior spaces, homewares, food, and digging into the dichotomy of comfort and discomfort, all with a visual focus on “lowbrow” art and pop-surrealism.

  • Kitt Peacock

    Kitt Peacock is an interdisciplinary artist and settler from O’odham Jeweḍ, currently living on the unceded territories of the Musqueam, Squamish, and Tsleil-Waututh nations. Their practice draws on spatial theory and folkcraft in order to heal breakages in the transmission of cultural practices to trans folks. They are currently an MFA candidate in Visual Arts at the University of British Columbia.

  • Florence Yee

    Florence Yee is a visual artist and serial collaborator based in Tkaronto/Toronto and Tiohtià:ke/Mooniyang/Montreal. They collect text in underappreciated places and ferment it until it is too suspicious to ignore. Along with Arezu Salamzadeh, they co-founded the Chinatown Biennial in 2020. They obtained a BFA from Concordia University and an MFA from OCAD U.

  • Arezu Salamzadeh

    Arezu Salamzadeh (she/they) is a Mississauga-based artist who creates objects for people to interact with and spaces for people to move through. She is interested in asking questions about hospitality, cultural identity, love, and loneliness through a language of entertainment, humor, and play. They are currently a Master of Visual Studies candidate at the University of Toronto.

  • Romi Kim + Kendell Yan

    김새로미, Romi Kim, or Skim in drag is an interdisciplinary artist living on the unceded xʷməθkʷəy̓əm (Musqueam), Sḵwx̱wú7mesh (Squamish), and Sel̓íl̓witulh (Tsleil-Waututh) Nations. They are a queer, genderfluid, second-generation Korean. They see these words as verbs rather than nouns or adjectives—constantly in action, and in flux.Their practice explores multiplicities within stories, relations and knowledges through acts of intimacy and care.

    甄念菻, Kendell Yan, or Maiden China (She/they) is a trans-femme, non-binary, feminist drag performance artist settled and working on the unceded territories of the xʷməθkʷəy̓əm (Musqueam), Sḵwx̱wú7mesh (Squamish), and səl̓ilwətaɁɬ (Tsleil-Waututh) nations. Her practice explores the concept of the “hyphen”, liminal states of embodied being, and incorporates elements of classical Chinese opera, queer theory, resistance politics, and intimate contact performance art.

  • Margaret August + Nicole Mandryk

    Margaret August Is a Coast Salish, two-spirit artist from Shíshálh First Nation. Margaret identifies with the pronoun they, them, their. They were born in 1983 in the traditional unceded Lkwungen and W̱SÁNEĆ territories. They believe, the many gifts of each Two-Spirited person is unique to the individual and rooted in where they come from.

    Nicole Mandryk is Anishinaabe, Irish and Ukrainian and her traditional name is Niibinobinesiik which translates to summer thunderbird and the physical representation is the loon. On her mother’s side her family comes from Oka with lineage to Nippising yet were disconnected from community through the Indian Act. Her father’s side are Ukrainian and settled in Treaty 1 the homelands of the Metis, Cree and Anishinaabe people now known as Winnipeg. Nicole is a visual and performative artist who is dedicated to her cultural art practices. She is inspired by Anishinaabe and Ukrianian stories, art, land, language, and songs.

gathering place artists + coordinators

  • Community Fridge Victoria

    The Victoria Community Fridge and Community Food Delivery programs are part of a mutual aid group called Community Food Support. Both programs are a community response premised on mutual aid and work to make nutritious and exciting food free and accessible to those who need it.

  • keiko Hart

    keiko practices pronunciations of self through live and digitally mediated performances to accentuate in-between, hyphenated, third spaces that defy definition.

  • Estraven Lupino-Smith

    Estraven Lupino-Smith is a queer and non-binary trans artist, researcher, and educator born in Dish with One Spoon territory to an Italian and Scottish family. Their practice is interdisciplinary, informed by their creative and critical engagements with human interactions in our environments: natural, cultural, and constructed.