LAND BACK
Artists:
Nicole Neidhardt
Lacie Burning
Chandra Melting Tallow
Whess Harman
Dates:
October 9, 2020 until January 16, 2021
Curated by Eli Hirtle
LAND BACK is many things to many people, but at the root of this project are our responsibilities to and relationships with the land, and our work to (re)connect with our territories and waterways in meaningful ways. We come from the land. Our teachings, laws, and stories come from the land. We are the land. The land is our home, our mother, our caregiver.
From the Wet’suwet’en solidarity occupations and blockades, to 1492 Land Back Lane, to the Mi’kma’ki fight to assert fishing rights, we are witnessing a heightened period of solidarity and momentum to protect our lands and waters. Through sculpture, photography, poetry, painting, and sound the participating artists will each speak to their own interpretations of LAND BACK from their unique perspectives, lived experiences, and lineages.
As Indigenous peoples, we have relationships with our plant, animal, and supernatural kin that we must uphold and respect—through these acts of presencing and reclamation, we can renew and repair these sacred bonds that have been ruptured in a myriad of ways by the settler-colonial project that is Canada. LAND BACK is a demand for the return of jurisdiction over our lands and waters, and an assertion of this responsibility. It is not theoretical or metaphorical. It is a rallying cry to protect the lands and waters that took care of our ancestors, sustain us today, and that will nurture the generations to come.
To accommodate the realities of the pandemic, each artist will install their work one at a time, unfolding the exhibition over the coming months. As they do so, their work calls to the ever-changing, fluid, and responsive nature of land-defense occupations and blockades, where bodies come and go in waves as needed.
The artists' work will be installed by each of the following dates:
Oct 9 - Nicole Neidhardt
Oct 21 - Lacie Burning
Nov 4 - Chandra Melting Tallow
Nov 18 - Whess Harman
The exhibition will be presented in person and online through a dedicated website launch mid-way through the exhibition, as well as a publication to be released in 2021. Stay tuned for a comprehensive calendar of associated programming.
Nicole Neidhardt
Nicole Neidhardt is Diné (Navajo) of Kiiyaa'áanii Clan and is from Santa Fe, NM. She has a BFA from the University of Victoria and is currently working on her MFA at OCAD University in Toronto, ON. Nicole’s Diné identity is the heart of her practice which encompasses installation, illustration, painting, beadwork, and murals.
Chandra Melting Tallow
Chandra Melting Tallow is an interdisciplinary artist, filmmaker, and music producer of mixed ancestry from the Siksika Nation. Their practice confronts the ghosts of intergenerational trauma and their relationship to the body through the lens of physical disability, utilizing humour and surrealism to subvert oppressive structures of power. They spearhead the solo music project Mourning Coup, and in 2015 they released their debut LP Baby Blue under No Sun Recordings, a cult classic in the Indigenous lexicon of underground music. Their practice encompasses experimental film, textile based installation, and performance, and has been exhibited across North America. In 2017 they released a book of short stories alongside an accompanying book on tape entitled "Dear Horse Boy I'm Writing to You From Prison." They are currently working on a follow up album.
Lacie Burning
Lacie Burning is a Mohawk interdisciplinary artist raised on Six Nations of the Grand River Reserve in Ontario. Their work focuses on politics of Indigeneity and identity from a Haudenosaunee perspective. Burning was a First Runner Up for the Philip B. Lind Prize and Longlisted for the New Generation Photography Award both for 2020.
Whess Harman
Whess Harman is Carrier Wit’at, a nation amalgamated by the federal government under the Lake Babine Nation. They graduated from the emily carr university’s BFA program in 2014 and are currently living and working on the territories of the Musqueam, Squamish and Tsleil-Waututh as the curator at grunt gallery.
Their multidisciplinary practice includes beading, illustration, text, poetry and curation. They use their practice as way of interpreting questions of identity and relation and prioritize internal community dialogue over colonial frameworks. As a mixed-race, trans/non-binary artist they work to find their way through anxiety and queer melancholy with humour and a carefully mediated cynicism.